Whiskeytown Camera (2024)

FAQs

What kind of camera did Dennis Hopper use? ›

Dennis Hopper took this dizzying photograph with a thirty-five-millimeter Nikon that his wife, Brooke Hayward, had given him as a present for his twenty-fifth birthday, not long after the two of them met on a Broadway flop, “Mandingo,” in the spring of 1961.

Powell, a fixture of the downtown scene, was rarely seen without his point-and-shoot Minolta camera, which he used to take iconic images of the Beastie Boys, Run DMC, Jean-Michel Basquiat, Andy Warhol, and countless others. Powell wasn't a classically trained photographer. In fact, his career began almost by accident.

A Rabbit's Foot talks to Jeff Bridges about his favourite camera, the Widelux F8, working with Francis Ford Coppola, and the crossroads between photography and cinema.

“I learned photography by taking thousands of photos and making thousands of mistakes,” Stanton says. Today he takes about 10 to 20 shots of each person with maybe six or seven different people each day. Stanton has always used a Canon digital camera and today has a Canon EOS 5D Mark III with a 50mm f/1.2 lens.

At some point he boarded with motivational psychologist David McClelland and his wife Mary. "Mary gave Sandler her Leica 3F in 1977 and taught him how to develop film in their basem*nt darkroom." That year he began making photographs on the streets of Boston, which led to him working as a photojournalist.

The Taos from Jacques Marie Mage

The rectangular frames are influenced by the idealism and decadence of the 60s and take more than a few stylistic cues from the sunglasses that Hopper wore as Billy in Easy Rider.

Ernest Brooks, the first British official photographer to be appointed, seen in a trench on the Western Front. He is carrying a Goerz Anschutz plate camera. Brooks served as a photographer on the Western Front from March to 1916 to early 1919.

In this enigmatic photograph, Kertész used a Leica camera to capture what is at first glance a simple street scene. The Leica appeared in the 1920s with Kertész bearing one from 1928, three years before Henri Cartier-Bresson. The camera was light and easy to handle and soon favoured by photo-journalists.

To enact it, he found this spot on the outskirts of California City (orienting his Linhof Master Technika camera away from two bluffs that were dismissed as “too picturesque”) and hired the two surveyors, Art and Joe, who are assiduously marking the same patch of dirt over and over again.

The famous camera outfit used by Clint Eastwood in the Hollywood movie 'The Bridges of Madison County', including a black Nikon F with chrome eye-level prism finder, Nikkor-S Auto 1.4/50mm (with purposely matted front element to avoid reflections during the filming), F-36 motor drive no.

What camera did paul McCartney use? ›

Paul McCartney used his Pentax camera the same way he used his guitar: with total freedom.

Shore is known for using Deardorff 4X5 & 8X10 Large Format Film Cameras. He switched to the larger format due to the grain in color negatives at the time. Almost all of Uncommon Places was shot with a G-Claron 305mm lens. He also used a 240 G-Claron and later switched to a 240mm Sironar-S lens.

Inland Empire is the first Lynch feature to be completely shot in digital video; it was shot in standard definition with a hand-held Sony DSR-PD150 by Lynch himself. Lynch has stated that he will no longer use film to make motion pictures.

Cameras: Penn primarily worked with large-format cameras, such as the Deardorff and Sinar, which allowed him to capture exceptional detail and tonality in his images. Lenses: He often used standard or slightly longer focal lengths, such as 150mm or 210mm, to create flattering portraits with minimal distortion.

Camera: Leica M Lens: 35mm summicron

Tony Ray-Jones purchased a Leica M rangefinder when he started shooting around New York City with Joel Meyerowitz and Garry Winogrand. A Leica 35mm summicron was his most used lens during his career, but he did experiment with 50mm and some wider angle lenses too.

Man Ray was known to use a variety of cameras and equipment throughout his career, including large-format cameras, medium-format cameras, and 35mm cameras.

The movie Apocalypse Now, released in 1979 and directed by Francis Ford Coppola, was shot on film using ARRIFLEX 16ST Camera, ARRIFLEX 35 BL Camera, ARRIFLEX 35 IIC Camera, Mitchell BNCR Camera and Technovision Lenses, Todd-AO Lenses with Vittorio Storaro as cinematographer and editing was done on the K.E.M.

While it looks like the wildly popular K1000, Reiss says the camera Jonathan Byers uses is the higher-end Pentax MX. That flagship model makes sense for someone so serious about photography. "We needed to buy multiples to smash," Reiss says.